Foreign Language Publications, The Ohio State University, 2016
Coyote Traces author Aku Wuwu, of the Yi ethnic minority in Southwest China, shares his real journey through both nations and the internconnection of cultures and languages.
In the words of author Aku Wuwu: “In these poems, I have tried to record the tangible and intangible heritages of Native Americans as I perceive them. In the process, I occassionally invoke my own Nuosu heritage. Imbibing the fresh air of other peoples’ cultures, I ponder over my personal spiritual life and the home of my soul. I wish to combine these shattered fragments into some serious ideas and thoughts. While writing these so-called cross-lingual and cross-cultural texts, I have attempted to explore the real nature of humanity, which has occassionally turned out to be a spiritual pilgramage back to my own native civilization.”
The collection of 80 poems, written in both Chinese and English translations, includes 9 full-color photo plates from the author’s journey. Paperback, 377 pages. (Publisher’s description)
By Eddie Chuculate
Black Sparrow Books, 2010
In seven interconnected stories Chuculate pursues the painful self-discovery of a half-Cherokee youth trying to distance himself from his family’s chronic drinking, impoverishment, and racism. In “YoYo,” Jordon, the dreamy protagonist of most of the stories, finds his myopic world abruptly pried open by the appearance of an older, and dazzlingly fast, black girl. In “A Famous Indian Artist,” Jordon describes the disintegration of his admiration for his uncle, the only relative he has who has lived a creative life. In “Dear Shorty,” Jordon depicts his alcoholic father in shockingly unsparing and unsentimental terms; after first following disastrously in his footsteps, Jordon achieves stature as an artist, yet continues to try to connect with his father, even after it’s too late. Chuculate writes forthright prose in a somber key, examining without judgment the lives of Native American characters like Old Bull, a Cheyenne who, in “Galveston Bay, 1826,” the collection’s one stand-alone story, ventures out to see the ocean for the first time, only to get savaged by a hurricane. Memory and will converge here to powerful effect. (Publishers Weekly)
Eddie Chuculate won a PEN/O. Henry prize in 2007 and held a Wallace Stegner creative writing fellowship at Stanford University. A Creek and Cherokee Indian from Muskogee, Oklahoma, he has a degree in creative writing from the Institute of American Indian Arts and was accepted into the Iowa Writers’ Workshop at the University of Iowa.
by Robert Bringhurst
The Tree of Meaning presents thirteen superb and surprising lectures on language, storytelling, mythology, comparative literature, humanity, and the breadth of oral and literate culture.
Bringhurst’s “ecological linguistics” includes studies of Native American art and illuminating essays about Haida culture, the process of translation, and the relationship between being and language. A companion collection of speeches and lectures by Bringhurst, Everywhere Being Is Dancing: TwentyPieces of Thinking, is also highly recommended.
Robert Bringhurst is a poet, translator, linguist, and typographer. He has published more than a dozen books of poetry, and his manual The Elements of Typographic Style has become one of the most influential contemporary texts on typographic design. He has worked for many years with Native American texts. He lives on Quadra Island off British Columbia.