Foreign Language Publications, The Ohio State University, 2016
Coyote Traces author Aku Wuwu, of the Yi ethnic minority in Southwest China, shares his real journey through both nations and the internconnection of cultures and languages.
In the words of author Aku Wuwu: “In these poems, I have tried to record the tangible and intangible heritages of Native Americans as I perceive them. In the process, I occassionally invoke my own Nuosu heritage. Imbibing the fresh air of other peoples’ cultures, I ponder over my personal spiritual life and the home of my soul. I wish to combine these shattered fragments into some serious ideas and thoughts. While writing these so-called cross-lingual and cross-cultural texts, I have attempted to explore the real nature of humanity, which has occassionally turned out to be a spiritual pilgramage back to my own native civilization.”
The collection of 80 poems, written in both Chinese and English translations, includes 9 full-color photo plates from the author’s journey. Paperback, 377 pages. (Publisher’s description)
by Jia Pingwa
University of Oklahoma Press, 2016
Originally published in 1993, Ruined City (Fei Du) was banned by China’s State Publishing Administration for its explicit sexual content. Since then, Jia Pingwa’s novel of contemporary China’s social and economic transformation has become a bestseller. The story of a famous contemporary writer’s sexual and legal tangles, the novel uses comedy and parody to comment on issues of intellectual seriousness, censorship, and artistic integrity in a changing Chinese society. (Adapted from publisher’s description)
Jia Pingwa (1952- ) stands with Mo Yan and Yu Hua as one of the most prominent and prolific novelists in contemporary Chinese literature. His novels, short stories and essays have a large readership in mainland China, as well as in Hong Kong and Taiwan. The French translation of Ruined City won the French Prix Femina in 1997.
by Jee Leong Koh
Carcanet Press, 2015
Steep Tea is Singapore-born Jee Leong Koh’s fifth collection and the first to be published in the UK. Koh’s poems express many of the harsh and enriching circumstances of a postcolonial queer writer, in a voice both colloquial and musical. Like the poetry of Elizabeth Bishop, Eavan Boland and Lee Tzu Pheng, Koh’s writing is forged in the pleasures of reading, cultures and communities. (Adapted from publisher’s description)
“Here are short, deft narratives that map the mismatched patterns of male and female desire grounded in partial understandings of love. The author’s native Singapore sounds out sharply, often ironically, in counterpoint to the intimate domestic interiors that help to constitute what will surely be recognized as some of contemporary poetry’s classic love poems.” -David Kinloch
Jee Leong Koh was born and raised in Singapore and moved to New York in 2003. He has a BA in English from Oxford University and an MFA in Creative Writing from Sarah Lawrence College. He is the curator of the website Singapore Poetry and the cochair of the inaugural Singapore Literature Festival in New York City. He lives in New York City.
edited and translated by David E. Pollard
The Chinese University Press, 2014
Toward the end of the eighteenth century, Ji Xiaolan, widely regarded as the most eminent scholar and foremost wit of his age, published five collections of anecdotes and discourses on the interaction between the mundane and spirit worlds, and purely earthly life stories and happenings. Settings range from the milieux of peasants, servants, and merchants to those of governors and ministers, and extend to the far reaches of the Qing empire. They include pieces comparing comedy and tragedy, cruelty and kindness, corruption and integrity, erudition and ignorance, credulity and skepticism. (adapted from publisher’s website)
David E. Pollard was Professor of Chinese in the University of London and later Professor of Translation in the Chinese University of Hong Kong. His books include The True Story of Lu Xun (2002), Zhou Zuoren: Selected Essays (2006), and The Chinese Essay (1999).
edited by Ou Ning and Austin Woerner
University of Oklahoma Press, 2015
Volume 4 in the Chinese Literature Today Book Series
These stories are drawn from the pages of Chutzpah!, one of China’s most innovative literary magazines. They range in setting from the suburbs of Nanjing to the mountains of Xinjiang Province, from London’s Chinatown to a universe seemingly sprung from a video game. In them, readers encounter a sweet, lonely fabric store owner, a lesbian house cleaner, a posse of shit-talking vo-tech students, a human hive-mind, a jeep-driving swordsman who reads Borges and Nabokov, and other assortments of bizarre humans and water spirits. (adapted from the publisher’s website)
Based in rural Anhui Province, Ou Ning is author of New Sound of Beijing. He served as editor-in-chief of Chutzpah! magazine from 2011 to 2014. Austin Woerner is the translator of Doubled Shadows: Selected Poetry of Ouyang Jianghe.
by Shin Yu Pai
White Pine Press, 2010
Drawn from global news stories, the subjects of these poems range from the tallest man in the world, an Olympic medalist, and a burning monk to a family stranded in the Oregon wilderness. A suite of poems contemplates the work of Goya, Warhol, Rothko, Cornell, and Calder, as well as the work of artists and craftsmen from the Eastern traditions.
Shin Yu Pai, born in 1975, is a second-generation Taiwanese-American. She received her MFA from the Art Institute of Chicago, and is currently assistant curator for the Wittliff Collections. She has published eight books of poems and been anthologized in America Zen: A Gathering of Poets and The Wisdom Anthology of North American Buddhist Poetry. (adapted from the publisher’s website)
by Carole Satyamurti
W. W. Norton & Company, 2015
British poet Satyamurti works from scholarly versions—such as K.M. Ganguli’s unabridged 5,000-page English prose translation—to condense all 18 books of the Mahabharata into this single volume of blank verse. The task is formidable and many would say impossible, yet Satyamurti moves smoothly between episodes with a consistent, understated rhythm. Inevitably, many of the core episodes and events are overly simplified; moreover, the bloody, cataclysmic battle at the end of cosmic time and the struggle for virtue—both human and divine—are unfortunately made to seem far more tame than in the original.
Carol Satyamurti is a poet, sociologist, and translator. The author of many books of poetry, she has taught regularly for the Arvon Foundation and for the Poetry Society (UK). She lives in London.