by Scott Ezell
University of Nebraska Press, 2016
The world Ezell embraced in 2002 was one of Taiwanese Aboriginals carving sculptures using chain-saws from often huge pieces of driftwood, drinking rice wine, chewing betel-nut and generally living a life of communal ease in Taiwan’s relatively pristine south-east. The group of friends informally called themselves the Open Circle Tribe, and have since become known as significant and saleable artists; they’ve even had doctorates written about them. But 13 years ago they were unknown to the outside world. Most outsiders who hear the Siren song of the Bohemian life have personal motives for adopting it, but none is immediately apparent in this book, other than a desire to find fulfillment. What can be said is that such people are rarely happy to remain Bohemians for ever, or indeed for long (Ezell says he “couldn’t imagine being buried here”). If they end up combining elements of their new life-style with their older interests then they’re lucky indeed, and this Scott Ezell appears to have accomplished. — Bradley Winterton, Taipei Times
Scott Ezell is a writer and artist living in California and Asia. He is the author of Petroglyph Americana and the chapbook Hanoi Rhapsodies, and is the editor and coauthor of Songs from a Yahi Bow.