edited by Isabelle Thuy Pelaud, Lan Duong, Mariam B. Lam, and Kathy L. Nguyen
University of Washington Press, 2014
Pairing image and text, Troubling Borders showcases creative writing and visual artworks by sixty-one women of Vietnamese, Cambodian, Lao, Thai, and Filipino ancestry. The collection features compelling storytelling that troubles the borders of categorization and reflects the multilayered experience of Southeast Asian women.
The diverse voices featured here have been shaped by colonization, wars, globalization, and militarization. For some of these women on the margins of the margin, crafting and showing their work is a bold act in itself. Their provocative and accessible creations tell unique stories, provide a sharp contrast to familiar stereotypes – Southeast Asian women as exotic sex symbols, dragon ladies, prostitutes, and “bar girls”-and serve as entry points for broader discussions on questions of history, memory, and identity. (Publisher’s website)
Isabelle Thuy Pelaud is associate professor of Asian American studies at San Francisco State University; Lan Duong is associate professor of media and cultural studies at the University of California, Riverside; Mariam B. Lam is associate professor of comparative literature, media and cultural studies, and director of Southeast Asian studies, at the University of California, Riverside; and Kathy L. Nguyen is a writer and editor in San Francisco.
by Eric Gamalinda
Akashic Books, 2014
A mesmerizing story full of mystery, Gamalinda’s American debut tracks the lives of two brothers, Jordan and Mathieu, separated at birth, and their quest to discover their past. Given away by their father, Andrew Brezsky, in exchange for money, they are taken from their birthplace in the Philippines, adopted by different parents, and begin their lives under vastly different circumstances. Jordan ends up in New York, while Mathieu is adopted by French filmmakers who are mourning the recent death of their two-year-old son, and eventually follows in their footsteps and becomes a documentary filmmaker. The novel weaves together three stories, those of the brothers, Jordan and Mathieu, and their biological father, an American who is caught in the Philippines during the political unrest of the ’70s and inexplicably thrown into prison. Although the situations of the three men are completely diverse, their lives unfold in similar ways, especially when it comes to romance. Mathieu and Jordan both fall in love with complicated but empathetic women who want to help them come to terms with their murky past. Mathieu’s girlfriend, Janya, travels the world with him in a search for details on the death of his adopted parents’ first child, and his birth parents. Jordan’s lover, Yuki, looks for someone who can answer his questions about Andrew Brezsky and suggests methods to ease his adoptive mother’s pain. Gamalinda’s tale is intricate, but the full picture never comes into focus. Still, this novel benefits from its philosophical bent and beautiful writing. — Publisher’s Weekly
Eric Gamalinda is the author of two story collections, three books of poetry, and five novels. His novel My Sad Republic won the Philippines’s Centennial Literary Prize. Gamalinda was born and raised in Manila, where he worked as a journalist. He currently lives in New York City and teaches at the Center for the Study of Ethnicity and Race at Columbia University.
by Rebecca Lawton
photography by Geoff Fricker
In Sacrament: Homage to a River, Geoff Fricker’s atmospheric photographs reveal the geology, salmon runs, fluvial morphology, and human impact of the Sacramento River. In dreamlike black and white, the river takes on mythic proportions, in both its wild eco-systems and its human-made influences. Interwoven with Fricker’s images are Rebecca Lawton’s eloquent descriptions of the beauty of the river and the issues that currently surround it. (from Amazon.com)
Rebecca Lawton’s essay collection Reading Water: Lessons from the River was a San Francisco Chronicle Bay Area Bestseller. She currently serves on the board of directors for Friends of the River.
Geoff Fricker’s photographs are in the permanent collections of the San Francisco Museum of Modern Art, the Oakland Museum of California, the Crocker Art Museum, the Library of Congress, and in other collections in California, Hawai‘i, Arizona, Nevada, and Texas.