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By Aziz Shihab
Syracuse University Press, 2006.
Summoned by his dying mother, Palestinian-born Aziz Shihab returns from Texas to the homeland he and his family fled as refugees decades earlier. He finds an Israeli-occupied land no longer the one of his youth. This gripping book chronicles his month-long journey to capture a piece of the land that haunts him, revealing the complexities of leaving behind the past and coming to grips with its abandonment. With his sharp ear for dialogue and his professional journalist’s eye, Shihab records and considers, sometimes with humor, the Palestinian psyche. (Publisher’s description)
Aziz Shihab is known for his independent newspaper, The Arab Star. He has written about the Middle East for the Dallas Morning News and the San Antonio Express-News.

Just Breathe Normally


By Peggy Shumaker. 

University of Nebraska Press, 2007.

In the wake of her near-fatal cycling collision, Peggy Shumaker searches for meaning within extremity. Through a long convalescence, she meditates on the meaning of justice and the role of love in the grueling process of healing.

Shumaker’s memoir explores our desire to understand the fragmented self, using the power of words to restore what medical science cannot: the fragile human psyche and its immense capacity for forgiveness. (Publisher’s description)

Peggy Shumaker is professor emerita of English at the University of Alaska Fairbanks and the author of several books of poetry, including Blaze and Underground Rivers. She teaches in the Rainier Writing Workshop at Pacific Lutheran University.


By Sumit Ganguly & Devin T. Hagerty. 

Oxford University Press, 2006.

With the nuclearization of the Indian subcontinent, Indo-Pakistani crisis behavior has acquired a deadly significance. The past two decades have witnessed no fewer than six crises against the backdrop of a vigorous nuclear arms race. Except for the Kargil war of 1998-9, all these events were resolved peacefully.

Nuclear war was avoided despite bitter mistrust, everyday tensions, an intractable political conflict over Kashmir, three wars, and the steady refinement of each side’s nuclear capabilities. Sumit Ganguly and Devin T. Hagerty carefully analyze each crisis, reviewing the Indian and Pakistani domestic political systems and key decisions during the relevant period. (Publisher’s Descrption)

Sumit Ganguly is professor of political science and Rabindranath Tagore Chair of Indian Cultures and Civilizations at Indiana University, Bloomington. Devin T. Hagerty is associate professor of political science at the University of Maryland, Baltimore County.


By Ramu Nagappan. 

University of Washington Press, 2005.

Who has the right to speak about trauma? As cultural products, narratives of social suffering paradoxically release us from responsibility while demanding that we examine our own connectedness to the circumstances that produce suffering. As a result, the text’s act of “speaking havoc” rebounds in unsettling ways.

Speaking Havoc investigates how literary and cinematic fictions intervene in the politics and reception of social suffering. Amitav Ghosh’s modernist novel The Shadow Lines (1988), A Fine Balance (1995) by Rohinton Mistry, the short stories of Saadat Hasan Manto, Salman Rushdie’s postmodernist novel Shame (1983), and the “spectacular” films of Maniratnam: each bears witness to social violence in South Asia. These works confront squarely a number of ethical dilemmas in representations of social suffering – the catastrophes and innumerable minor tragedies that arise from clashes among religious and ethnic communities.

Focusing on central events such as the Partition of 1947, the assassination of Indira Gandhi in 1984, and more recent religious conflicts between India and Pakistan, Nagappan demonstrates the differing ways that narratives engage – often in ambiguous and problematic ways – the political violence that has marked the last fifty years of South Asian history. Is it possible to tell fully the stories of those who have died and those who have survived? Can writing really act as a counter to silence? In his compassionate engagement with these concerns, Nagappan demonstrates the relevance of literature and literary studies to fundamental sociological, anthropological, and political issues. (Publisher’s description)

Ramu Nagappan is an instructor and coordinator of Interdisciplinary Studies in Medicine and the Humanities in the School of Medicine, University of California, San Francisco.

Reflections of a Khmer Soul

By Navy Phim
Wheatmark, 2007

Navy Phim explores what it means to be a child of the “Killing Fields.” Hers is the story of the middle generation growing up with, and trying to make sense of, two cultures and two worlds–the beauty and tragedy of her Cambodian past (her Khmer soul) and the comfortable restlessness of her American present. Through stories, memories, and “snippets,” Navy shares her life journey from her birthplace in Battambang, Cambodia, to Kao-I-Dang refugee camp on the Thai-Cambodian border, to a refugee processing center in the Philippines, to Long Beach, California, home to the largest population of Cambodians outside Southeast Asia. (Review by Dr. Susan Needham, associate professor, anthropology, California State University, Dominguez Hills)

Unlearning to Fly


By Jennifer Brice. 

University of Nebraska Press, 2007.

Unlearning to Fly is the memoir of a bookworm growing up in Alaska—among people whose resilience, restlessness, and energy find their highest expression in winter ascents of Mount McKinley or first descents of wild rivers. These are the flying stories of a fearful pilot, one who admires but does not emulate the more daring exploits of her father and her friends.

The accounts of Jennifer Brice—at times poignant, funny, and downright nerve-racking—are engaging recollections of deadly, near-deadly, and occasionally comic encounters between human nature and Nature writ large. The unlikely romance between her parents, the Good Friday earthquake, the Alaska oil boom, a stint as a newspaper reporter, and the trials of a student pilot form a few chapters in Brice’s remarkable life. These are the stories in which the physics and metaphors of flight—center of gravity, angle of attack, wake turbulence—illuminate Brice’s remarkable life story, recounted in prose that takes wing. (Publisher’s description)

Jennifer Brice is an associate professor of English at Colgate University and the author of The Last Settlers. Her work has appeared in such journals as the Gettysburg Review, Manoa, and River Teeth.


By Luke Davies

Ballantine Books, 1998.

Like Trainspotting, Candy depicts heroin addicts in a British subculture, but it is set in Australia, not Scotland. “Candy” is the slang name of the unnamed narrator’s two great loves: his girlfriend and heroin. He introduces her to the drug, and they descend from being high on life, love, and drugs, to being shamed through prostitution, crime, addiction, and recovery. With no character background, the book reads as a string of scams to score money and heroin: some hilarious, some desperate, and some both at once. One scam starts when they answer a ringing public phone that the caller mistakenly believes is a suicide prevention line. Candy and the narrator are ruthless but human; their likableness and the immediacy of their dramas make them sympathetic even when pathetic. The writing is lean and strong but offers no resolution. Although that reflects junkies’ reality, sometimes the pacing is jarring as the characters take action long after the audience is ready. Still, the good writing, realistic portrayal, and affable characters plunge readers into the junkies’ world, safely returning them with veins intact. (Booklist)

Luke Davies was born in Sydney in 1962. He is currently on an Australia Council writers’ fellowship and has worked variously as a teacher, journalist and script editor. Luke Davies’ collection of poetry Absolute Event Horizon was shortlisted for the 1995 Turnbull Fox Phillips poetry prize.

The Blue Sky

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By Galsan Tschinag

Translated by Katharina Rout
Milkweed Editions, 2006

Galsan Tschinag is the German name taken by Irgit Shynykbai-oglu Dshurukuwaa, a Tuvan born in Mongolia in the early 1940s. Tschinag studied in Germany in the early ’60s and ended up leading the Tuvan people, dispersed under Communism, back to the High Altai mountain region. This autobiographical novel, the first of a trilogy, mines his Mongolian boyhood as a youngest child with an unusual devotion to his grandmother (who comes to live with his immediate family in their yurt). Galsan has aspirations to increase the family’s holdings to 1,000 animals and a yurt with a mirror and a suitcase. As Tuvan customs get disrupted by the Communist government’s attempts at societal homogenization, the boy continues to tend sheep without the company of his siblings (sent to boarding school) and turns to Arsylang, his dog, for companionship. The foundations for his natural ambitions disappear piecemeal. Tschinag offers softly outlined characters more in the oral tradition than that of the novel, and fly-on-the-wall depictions of the Tuvans, a generally nonaggressive, nomadic tribe with a knack for maxims and poetic superstitions. Descriptions of the Altai mountains, remarkable sky, and closeness to the flock are slow but rich. The book is filled with small pleasures. (Publishers Weekly)

By Andrew Schelling

La Alameda Press, 2003.

These essays are reports from an increasingly important crossroads where art and ecology meet. Andrew Schelling belongs, in the words of Patrick Pritchett, “to a small group of poets who are actively engaged with the rhythms and pulses of the natural world.” He is also the preeminent translator into English of the poetries of ancient India. Wild Form, Savage Grammar collects ten years of essays, many of which investigate the “nature literacy” of American and Asian poetry traditions. Other topics include recollections of Allen Ginsberg and Joanne Kyger, wolf reintroduction in the Rocky Mountains, pilgrimage to Buddhist India, and the possible use of hallucinogens among Paleolithic artists. An underlying commitment to ecology studies, Buddhist teachings, and contemporary poetry weaves the collection together. (Publisher’s description)


By David Rains Wallace

Illustrations by Ken Kirkland
University of California Press, 2007.

Neptune’s Ark illuminates the dramatic saga of evolution spanning 500 million years of marine life along the magnificent Pacific coast of western North America. In an engaging narrative that artfully blends elements of science, history, folklore, and personal observation, renowned naturalist David Rains Wallace reveals a marvelous diversity of creatures, not only modern ones, but those from the far prehistoric past. Mysterious forms have abounded–from giant sea cows, oyster bears, and flightless toothed birds to the orcas, elephant seals, and sea otters of modern times. Wallace tells a story about evolution as well as a tale of the storms, scurvy, and shipwrecks that plagued the coast’s explorers, naturalists, and scientists, many of whom led turbulent or tragic lives, with themes reflected in the wonder and danger of the coast itself. Neptune’s Ark is full of vivid characters–from explorers like Sir Francis Drake and Captain James Cook, to pioneer naturalists including Georg Steller and Charles Scammon, to early paleontologists Othniel Marsh and Edward Cope, and to recent scientists and ecological visionaries. (Publisher’s description)

David Rains Wallace is the author of sixteen books, including Beasts of Eden: Walking Whales, Dawn Horses, and Other Enigmas of Mammal Evolution (UC Press), A New York Times Notable Book; The Klamath Knot: Explorations of Myth and Evolution (Twentieth Anniversary Edition, UC Press), winner of the John Burroughs Medal; The Bonehunter’s Revenge: Dinosaurs, Greed, and the Greatest Scientific Feud of the Gilded Age; and The Monkey’s Bridge: Mysteries of Evolution in Central America, A New York Times Notable Book.

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